For "New York Times" reporter Dennis Covington, what began as a journalistic assignment--covering the trial of an Alabama pastor convicted of attempting to murder his wife with poisonous snakes--would evolve into a headlong plunge into a bizarre, mysterious, and ultimately irresistible world of unshakable faith: the world of holiness snake handling.

Set in the heart of Appalachia, "Salvation on Sand Mountain" is Covington's unsurpassed and chillingly captivating exploration of the nature, power, and extremity of faith--an exploration that gradually turns inward, until Covington finds himself taking up the snakes.

Acclaimed author Dennis Covington examines the nature of faith, "the substance of things hoped for along borders where cultures and religions collide." If religious belief is, as Christopher Hitchens argues, the cause of wars and genocide, then is faith the cure? Traveling to countries that have unsettled borders and religious strife in common--Syria, Mexico, Israel, and the American South, to name a few--Covington searches for answers, looking not for doctrines, creeds, or beliefs--which, he says, can be irrational, contradictory, and dangerous--but for faith. Like his acclaimed Salvation on Sand Mountain, REVELATION is a personal journey, this time international in scope.

"Marriage is like a rain forest," Vicki Covington writes in Cleaving. "The story of a marriage contains all that grows in the canopy, all that is visible from an aerial, or public, view. The understory of a marriage is the place where . . . we struggle, fight, and conceive. It's the place where compost is made, where anything can grow, including forgiveness." Told in the authors' alternating voices, Cleaving is both the story and the understory of a marriage.
Childhood acquaintances, Vicki and Dennis meet again in their twenties and wed. they "promise each other nothing" and get more than they'd bargained for: alcoholism, infidelity, infertility, uncertainty. tumult gives way to sobriety, parenthood, and meaningful work, but a yearning remains. In a quest to root themselves in the larger world, they embark on a mission to dig water wells in Central America, assuaging a spiritual thirst by addressing a practical need. Yet even this is part of the story-the visible, overarching canopy-of the marriage. The understory-and the triumph of this haunting book, which is neither sentimental nor cynical-is its portrayal of the eddying of passion through the institution that enshrines but cannot contain it.
A soulful and unsparing portrait of the forces that threaten-and sustain-a relationship over time.